The exuberant hodgepodge begins with SpongeBob’s score: Its nearly twenty songs are by a range of artists, from Aerosmith to They Might Be Giants, rapper T.I., psychedelic rock outfit the Flaming Lips, and even (yes, it’s true) Brian Eno and the late, incomparable genius-from-another-planet David Bowie. Their world is a collage, a crafty collection of flotsam and jetsam piled high into an ingenious, often inspired playground. Instead, Landau and her team have embraced a playful, pack-ratty spirit.
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No one is trying to pretend that this SpongeBob isn’t backed by massive treasure chests, but that booty isn’t put to work trying to create a slick illusion. Under the joyfully maximalist hand of Steppenwolf vet Tina Landau (who also directed the show’s Chicago premiere), Bikini Bottom gets the more-is-more-is-more-is-more treatment, with a DIY twist that’s both endlessly charming and integral to the production’s spirit. And now the big, bubbly, neon-sparkly, multicolor, confetti-covered love boat of an answer has cast anchor on Broadway. Each episode begins with a painting of a pirate whose animated mouth asks an imagined audience of enthusiastic wee ones two gravely important questions: “Arrrre you ready, kids?” and that unforgettable, melodic query that more people could probably recite on demand than the “Who’s there?” that begins Hamlet: “Whooooooo … lives in a pineapple under the sea?” SpongeBob’s pint-sized episodes - 11 minutes max - chronicle zany adventures in an undersea town called Bikini Bottom, especially those of our porous protagonist and his two best friends, the portly pink starfish Patrick (loyal, lovable doofus) and the chipper, resourceful “land squirrel” Sandy (a diving-suit-wearing mammalian scientist who’s literally, if not figuratively, out of her element).
#Best friends ever song spongbob series#
Stephen Hillenburg began developing the megafamous animated children’s series for Nickelodeon in 1996, after the cancellation of his previous offbeat cartoon show, Rocko’s Modern Life. Even if you venture into the Palace feeling Squidward-ish, it’s a truly gloomy soul who’ll be able to leave without mirroring the dopey grin with which the show’s absorbent yellow hero responds to his buddy’s existential angst: “But it’s our horrible place, with the best abject misery there is!” Skeptics better tie themselves to the mast if they want to survive this tempest of effervescent candy-for-the-spirit.
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Tentacles, a morose fussbudget of a cephalopod with a minor mommy fixation and not-so-secret dreams of theatrical glory, who’s now squelching his way across the stage of the Palace Theatre along with a splashy assortment of fellow sea creatures, in that most improbable and most delightful of musical adaptations: SpongeBob SquarePants. To that point, honorable mentions are “Mermaid Man and Barnacle Boy V,” “Shanghaied,” “Arrgh!,” “Squidville,” “Sailor Mouth,” “Sandy, SpongeBob and the Worm,” “The Secret Box,” “Dying for Pie,” “Jellyfish Hunter.“When are you going to learn, SpongeBob? The world is a horrible place filled with fear, suffering, and despair … also, dashed hopes, shattered dreams, broken promises, and abject misery.” To celebrate the debut of “The Patrick Star Show,” Variety ranked the 15 best “SpongeBob Squarepants” episodes - though there are many more worthy candidates throughout its run. All “SpongeBob” content is available on Paramount Plus, and “The Patrick Star Show” premieres on July 9.
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Krabs have now received the spin-off treatment with “Kamp Koral,” a prequel series, and “The Patrick Star Show,” with Patrick and his family. The underwater hijinks of SpongeBob, Patrick, Squidward, Sandy and Mr. The show became a staple of Nickelodeon’s cartoon slate of the early 2000s and has won five Daytime Emmy awards, with two for Tom Kenny as the voice of SpongeBob. “SpongeBob Squarepants” has taken viewers to a pineapple under the sea for more than 20 years, delivering over 250 nautical episodes and three feature-length films.